Abstract
The trajectory of science fiction since World War II has been defined by its rela-tionship with technoscientific imaginaries. In the Golden Age of the 1930s and 1940s, writers like Isaac Asimov and Robert Heinlein dreamed of the robots and
How to Cite:
Simeone, M., Koundinya, A., Kumar, A. & Finn, E., (2017) “Towards a Poetics of Strangeness: Experiments in Classifying Language of Technological Novelty”, Journal of Cultural Analytics 2(1). https://doi.org/10.22148/16.015 (external link, opens in new tab).